10-second macro product film for the fictional watchmaker AUREL, 16:9, black-velvet studio, one raking strip light. Four shots, hard cuts, slow and precise.
REFERENCES: @Image1 locks the dial (grand-feu white enamel, slim blued leaf hands, polished baton indices, small seconds at six, 'AUREL' under twelve). @Image2 locks the movement seen through the caseback. @Image3 locks the case flank, brushed and polished bevels and the fluted crown. @Image4 is the end card - reproduce it exactly.
0-3 s: @Image1. A motion-control slider glides slowly left to right across the dial at macro distance; the strip-light reflection travels across the domed sapphire; the blued small-seconds hand steps in fine six-beats-per-second increments.
3-6 s: @Image2. Slow push-in on the movement; the balance wheel oscillates steadily (about three swings per second), the hairspring breathing; light rakes across the Geneva stripes and blued screws.
6-8 s: @Image3. Locked-off extreme macro; the thin strip rim light travels slowly along the mirror-polished bevel and over the fluted crown, one bright glint running edge to edge across the dry steel.
8-10 s: hard cut as the glint leaves the crown to the end card of @Image4, held perfectly still; 'AUREL' and 'CALIBRE 7' pixel-identical.
AUDIO: close-mic mechanical ticking at six beats per second, crisp and dominant; a low warm analogue drone under it; a faint high metallic shimmer as the glint crosses the crown at about 7.8 s; one soft low piano note at 8 s that rings under the end card. No voice-over, no music beyond that note.
LOCKS: same case, dial, hands and indices across shots; no numerals appearing on the dial; no text except the dial print and the end card.
AVOID: any water, droplets, condensation or liquid anywhere, dial text drift or extra words, warped hands, hands moving at the wrong speed, a ticking quartz-style seconds jump on a sweep dial, lens flares, CG plastic look, fast cutting.
kling/v4/flash/reference-to-video
