minimax/h3-max/multi-angle/image-to-video

The same people in the reference are rigid lifelike mannequins. Preserve every face, gaze, pose, hand, foot, joint, garment fold and contact with furniture. The entire scene is frozen. Only the camera moves. Camera choreography: Low camera swing and direction reversal beneath the parking ceiling. Follow the supplied azimuth and elevation keyframes, moving quickly through the middle with controlled acceleration, deceleration and rounded reversals. Begin with the exact reference framing. Keep camera radius and focal length constant. No zoom, no introductory push-in, no camera roll. Aim at the group center and keep the people visible. Preserve architecture and lighting. One continuous editorial shot, no cuts, no added people or objects.

Filmed like a mannequin challenge: three young people sitting on a cobblestone street, behind them is a wall with a grafitti saying "DREAMERS". Every person and object is completely motionless, holding their exact pose like a statue. Hair, clothing, and everything in the background hang perfectly still, as if time has stopped.

Filmed like a mannequin challenge: three young people sitting on a cobblestone street, behind them is a wall with a grafitti saying "DREAMERS". Every person and object is completely motionless, holding their exact pose like a statue. Hair, clothing, and everything in the background hang perfectly still, as if time has stopped.

The same people in the reference are rigid lifelike mannequins. Preserve every face, gaze, pose, hand, foot, joint, garment fold and contact with furniture. The entire scene is frozen. Only the camera moves. Camera choreography: Low camera swing and direction reversal beneath the parking ceiling. Follow the supplied azimuth and elevation keyframes, moving quickly through the middle with controlled acceleration, deceleration and rounded reversals. Begin with the exact reference framing. Keep camera radius and focal length constant. No zoom, no introductory push-in, no camera roll. Aim at the group center and keep the people visible. Preserve architecture and lighting. One continuous editorial shot, no cuts, no added people or objects.

The same people in the reference are rigid lifelike mannequins. Preserve every face, gaze, pose, hand, foot, joint, garment fold and contact with furniture. The entire scene is frozen. Only the camera moves. Camera choreography: Low camera swing and direction reversal beneath the parking ceiling. Follow the supplied azimuth and elevation keyframes, moving quickly through the middle with controlled acceleration, deceleration and rounded reversals. Begin with the exact reference framing. Keep camera radius and focal length constant. No zoom, no introductory push-in, no camera roll. Aim at the group center and keep the people visible. Preserve architecture and lighting. One continuous editorial shot, no cuts, no added people or objects.

The same people in the reference are rigid lifelike mannequins. Preserve every face, gaze, pose, hand, foot, joint, garment fold and contact with furniture. The entire scene is frozen. Only the camera moves. Camera choreography: Low camera swing and direction reversal beneath the parking ceiling. Follow the supplied azimuth and elevation keyframes, moving quickly through the middle with controlled acceleration, deceleration and rounded reversals. Begin with the exact reference framing. Keep camera radius and focal length constant. No zoom, no introductory push-in, no camera roll. Aim at the group center and keep the people visible. Preserve architecture and lighting. One continuous editorial shot, no cuts, no added people or objects.

Filmed like a mannequin challenge: three young people sitting on a cobblestone street, behind them is a wall with a grafitti saying "DREAMERS". Every person and object is completely motionless, holding their exact pose like a statue. Hair, clothing, and everything in the background hang perfectly still, as if time has stopped.