minimax/h3-max-turbo/text-to-video

{
  "video": {
    "url": "https://v3b.fal.media/files/b/0aa8f038/UcnQt_-5BsueASBEHTGEv_minimax-h3.mp4",
    "content_type": "video/mp4",
    "file_name": "UcnQt_-5BsueASBEHTGEv_minimax-h3.mp4",
    "file_size": 3342830
  },
  "expanded_prompt": "integrated_multimodal_description: [Shot 1] Cinematic, 2D motion design with a subtle 2.5D card depth and a Swiss editorial style. The scene opens on a solid, warm ivory background. Large, bold black text reading \"H3 MAX TURBO\" slides in rapidly from the left frame edge toward the center with a clean, precise ease-out deceleration. Simultaneously, a thin, sharp vermilion red line grows horizontally from left to right directly underneath the text. At 00:02.000, the entire composition—text and line—compresses slightly inward toward the center and snaps back to its original scale in a sudden, rhythmic pulse, creating a physical \"hit\" effect. The camera remains in a Static Shot, focusing on the sharp contrast of black and red against the ivory.\n\n[Shot 2] At 00:02.500, the camera cuts as the red line extends aggressively across the entire width of the screen, acting as a fast crop transition that wipes the frame. The transition reveals a new composition of huge, stacked black text on the warm ivory background: \"FASTER\" on the top line and \"THAN REAL TIME.\" on the second line. The typography is oversized, with the edges of the letters slightly cropped by the frame boundaries. The text enters with aggressive kinetic movement, sliding in from the right with fast horizontal motion and short, precise motion blur, landing with a sharp, sudden stop. The composition maintains a strict black, ivory, and vermilion red palette, utilizing a slight parallax shift to give the text cards a minimal sense of depth. The final frame holds on the sharp, legible text, perfectly centered and bold.\n\noverall_soundscape: A sharp, metallic \"whoosh\" accompanies the initial text slide, followed by a clean, digital \"ping\" as the red line appears. At the moment of compression, a heavy, dampened cinematic thud or \"hit\" sound occurs. The transition at 00:02.500 is marked by a fast, aggressive air-cutting sound, ending in two consecutive, heavy mechanical stamps as the final text lands.\n\nnon_diegetic_music: A high-energy, minimal industrial beat with a fast tempo. It features a driving electronic bass kick and a sharp snare on the beat, mirroring the kinetic movements of the typography with precise, rhythmic synchronization.",
  "timings": {
    "inference": 1.5516306289937347
  }
}